Alejo Moguillansky

Alejo Moguillansky (Buenos Aires, 1978) is a renowned Argentine director, editor, screenwriter, and teacher, a key figure in contemporary independent cinema in his country. He is a founding member of the production company and artistic collective El Pampero Cine, along with Mariano Llinás, Laura Citarella, and Agustín Mendilaharzu.

Javier Areal Vélez

Javier Areal Vélez (Buenos Aires, 1985) is a composer, improviser, and cultural organizer. He has lived and worked in Berlin since 2026 as a resident of the DAAD Artists-in-Berlin Program. His recent solo work focuses on the development of live electronic music based on the superposition of (de)generative (poly)rhythms. He explores human–machine collaborations through the use of samples, synthesis, lighting and robots. In parallel, he has a long career as a performer of prepared electric guitar, with a distinctive style based on primal techniques that emphasize timbre and rhythm, prioritizing intensity and dynamic contrast over traditional forms.

Juan Sorrentino

Juan Sorrentino (b. 1978, Argentina) is a sound artist and experimental musician whose multimedia practice spans sculpture, site-specific interventions, performance, installation, video, and sound recording. His works explore the intersections between visual language, nature, ecology, poetic contexts, and collective imagination. He is best known for his works created with burned trees, ashes, soil, bricks, tiles, metals, and dust, set in physical interaction through industrial motors and low-frequency sounds — including frequencies outside the range of human hearing, such as seismic or quark vibrations. In his practice, sound is not limited to what can be perceived by the human ear but extends to visceral, physical experiences. His installations thus become inclusive sensory environments, accessible to everyone, including people with profound hearing loss or impairments. Sorrentino is a professor in the Electronic Arts program at the Universidad Nacional de Tres de Febrero and in the Combined Arts program at FADYCC, Universidad Nacional del Nordeste, Chaco. He is also the director of MONTE, an artist residency located in Colonia Benítez, Chaco, Argentina. The residency is dedicated to artists, curators, and researchers whose projects engage with nature, landscape studies, and the environmental impact on the territory. In 2025, he received the Art at CERN Award to develop a new project in collaboration with CERN. Earlier that year, in August, he participated in the TURN Program in Japan, a platform that fosters cross-cultural and interdisciplinary artistic practices. Sorrentino has exhibited at PAC Milano (IT), Whitechapel Gallery (UK), MAAT (PT), Bonniers Konsthall (SE), Círculo de Bellas Artes (ES), CCK (AR), MACBA (AR), Fundación Proa (AR), ARGOS (BE), and Tromsø Center for Contemporary Art (NO), among others. His work is held in both public and private collections.

Marina Giancaspro

Dancer, teacher, and researcher of movement for the stage, with a somatic and evolutionary perspective. She trained in the Professional Training Program at the Merce Cunningham Studio. She teaches dance and movement, is an Alexander Technique instructor, and is assistant director at the Alexander Technique Teacher Training School in Buenos Aires. She has been a teacher and coach for dancers at the CTBA Contemporary Ballet and other independent dance companies. She co-directed the Buenos Aires City Government's Contemporary Dance Festival (2008, 2010, and 2012) and served as a juror and curator for FIBA ​​(2007) and other festivals and performance spaces. She has danced with Bryan Hayes and Dancers, Marjorie Gamso, Elaine Shipman, and Nadine Helstroffer in New York City, and with Dugandanza, Alejandro Cervera, and Gustavo Lesgart, among others, in Argentina. Her choreographic work has been presented at Eden Expressway, DTW, and Merce Cunningham Studio in New York, and at the San Martín Theatre's Youth Ballet, among other venues. Since 2023, she has been the Artistic Director, along with Gustavo Lesgart, of the National Contemporary Dance Company, an organization under the auspices of the National Secretariat of Culture.

Matias Sendon

Matías Sendón is a lighting designer, set designer, and technical coordinator. He was born in Buenos Aires in 1973. He studied theatrical lighting, film lighting, and the use of color in art. He specialized in theatrical lighting. He works in Argentina and abroad and participates in various international performing arts festivals. He creates lighting designs for theater, dance, opera, music, film, television, art exhibitions, and fashion shows. For his work as a designer, he has received the following awards: María Guerrero (Teatro Nacional Cervantes); Florencio Sánchez (La Casa del Teatro); Teatro XXI (University of Buenos Aires); and Teatros del Mundo (Centro Cultural Rector Ricardo Rojas, UBA).

Tambor Fantasma

It is a percussion ensemble founded in Buenos Aires in 2015 by Bruno Lo Bianco. It comprises percussionists specializing in contemporary chamber music, deeply committed to performing contemporary repertoire and commissioning and staging new works for percussion. Distinguished percussionists from various countries participate in the ensemble as special guests. Among its numerous concerts, highlights include the Latin American premiere of Philippe Manoury's Le livre des Claviers in the Teatro Colón's Contemporary series; a performance of Mariano Etkin's complete percussion works at the same theater; Tempus Ex Machina, a concert based on the work of Gérard Grisey presented at the CETC; and Le Noir de' Étoile, by the same composer, for six percussionists, featuring tape and astronomical signals captured live in the CCK Dome.

Velut Umbra